wrote of Descartes’s Compendium musicae,l “and it is a matter of regret that this outstanding musicologist left nothing more comprehensive on the theory of. Author: Descartes, René, Title: Renatus Des-Cartes excellent compendium of musick with necessary and judicious animadversions thereupon / by a. A. COMPENDIUM MUSICAE: IMAGINATION AND MUSICAL PERCEPTION. The Compendium begins with various reflections. “The end [of music] is that it.

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Descartes’ Lumen Naturale and the Cartesian Circle.

The “Compendium Musicæ” of René Descartes: Early English Responses

Finally, I propose an alternative interpretation of Cartesian compendkum and of the role of musical theory in Cartesian philosophy. The Calligraphy of Medieval Music Haines.

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Musique, chant et psalmodie McKinnon. Regulae Ad Directionem Ingenii.

Interactionism in Mueicae of Mind. Carmen Pardo – – Enrahonar: Between the Ancients and the Aestheticians. Angel Gabilondo Pujol – – Enrahonar: In this paper I will expose the contents of the Compendium musicae in the light of the Cartesian philosophy.

To that end, it is important to show the features of the Cartesian philosophy that are already present in the text, such as deductibility, mathematization and mechanism. Also included are the unpublished manuscript treatises written by Nicolaus Mercator and Isaac Newton developing similar ideas to those in the Compendiumand the printed remarks of William Brouncker which appeared with Charleton’s translation.

Le role du sensus dans le Compendium musicae de Descartes. Privacy Policy – Terms and Conditions. Filip Buyse – – Teoria 2: Vie et oeuvre de Carlo Farina Bianco.

Catalog Record: Compendium of music (Compendium musicae | Hathi Trust Digital Library

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El ritmo de las pasiones: Manabu Nasukawa – – Bigaku 50 2: Angel Gabilondo – – Enrahonar: Science Logic and Mathematics. Sign in Create an account. Added to PP index Total downloads 21of 2, Recent downloads 6 months 15 32, of 2, How can I increase my downloads?

Request removal from index. Dale Jacquette – – Philosophy and Theology 9 Le origini dell’Opera a Milano Daolmi. El Ritmo de Las Pasiones: Le Psautier de Calvin Weeda. Aristotelian and Cartesian Logic at Harvard: Sympathie et antipathie dans le “Compendium Musicae”.