in , i recorded delécluse: douze études for snare drum. and it was epic. delécluse is the and video. in two days. and you can watch études 1 + 9 right now. album. delécluse: douze études for snare drum étude 9: but i didn’t forget who it was all for: percussionists who struggle learning delécluse. that segment is.

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Trente Etudes pour Timbales (Thirty Etudes for Timpani) Book 3 by Jacques Delecluse | Timpani Book

This resource has been long awaited. Sometimes strings are simply listed as “str,” which means strings. All of the grace notes are remarkably consistent, especially the flams. The first number stands for Flutethe second for Oboethe third for Clarinetthe fourth for Bassoonand the fifth separated from the woodwinds by a dash is for Horn. Some notes have empty circles written above them, and some have filled circles.

This system lists Horn before Trumpet. Marching Heads Snare Tenor Bass. Titles listed in our catalog without bracketed numbers are assumed to use “Standard Instrumentation. Rob does a great job of saving these extremes until the end while still giving sufficient contrast between the dynamic levels up until this point.

Grade 6 – Advanced Price: The style and feel is very laid back and relaxed. Similar to 1 Rob chooses to take this etude slightly slower than written and I think this is very wise. Here is what I thought… 1 What immediately jumps out to me is the relaxed way Rob plays Delecluse. The bracketed numbers tell you how many of each instrument are in the ensemble. Snare drum is one of the most difficult instruments to record and have dynamic range.


Students should have a firm grasp on reading rhythms before playing these studies. Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example: Very under performed in my opinion. Other Required and Solo parts follow the strings: There are lots of opportunities to crescendo and diminuendo within these rolls and show nice dynamic shapes.

The devil is in the details once again and even if played accurately it is very easy for those details to get lost. The numbers represent only distinct parts, not the number of copies of a part.

Titles with no bracketed numbers are assumed to use “Standard Dflecluse. This is not explained in the book. Read Reviews 0 Average User Rating.

It is remarkable how rhythms can be played straight and yet feel like they swing. I figured it was time to give them a listen. The second example is common for a concert band or wind ensemble piece. Ways To Save Clearance Demo. For some reason this etude reminds me of some of the Keiskleiriana etudes I have learned out of both book 1 and 2. It takes a while to get comfortable with the subdivisions and mixed meters before even coming close to playing at tempo. Rob clearly has both.

All of the dynamics are consistent with each other which really starts to become important as we go along in these I have given this etude to a lot of students to learn as I think it is a nice intro to the douze etudes. New Shot Tape From 4. View Shopping Cart Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example:.

It consists of the forces Example 2 – Jones: Note also that the separate euphonium part is attached to trombone with a plus sign. The feel of this etude is a change from the first 3. Dynamics and quick dynamic changes start to complicate things until finally the rhythms get much more disjointed and intricate. Strings are represented with a series of five digits representing the quantity of each part first violin, second violin, viola, cello, bass.


Instruments shown in parenthesis are optional and may be omitted.

Delecluse Etudes (12)

The first number stands for Trumpetthe second for Hornthe third for Trombonethe fourth separated from the first three by a dot for Euphonium and the fifth for Tuba. I have had sympathy for the recording engineer for this project. Typically, orchestra scores have the tuba linked to euphonium, but it does happen where Trombone is the principal instead.

Rob and I both play the ruffs slightly closed but with an audible difference between 3 and 4 stroke ruffs. The DVD helps as you can watch his body language as he plays.

You must be logged in to add an item to your wishlist. In this case, the winds are all doubled 2 flutes, 2 oboes, 2 clarinets and 2 bassoonsand there are two each horns and trumpets. Deleclue Beethoven example is typical of much Classical and early Eutde fare. In an audition I would probably advise expanding the dynamic range more if played as an isolated work. The set of numbers after the dash represent the Brass.

Rob is very clear in navigating this treacherous water and keeps the pulse very steady throughout.