FILMSKI LEKSIKON [Bosko Tokin Vladeta Lukic] on *FREE* shipping on qualifying offers. Filmski leksikon: A-Ž by Bruno Kragić · Filmski leksikon: A-Ž. by Bruno Kragić; Nikica Gilić;. eBook: Document. Croatian. Zagreb: Leksikografski zavod. Filmski leksikon. Front Cover. Bojan Kavčič. Modrijan, QR code for Filmski leksikon Performing Arts / Film & Video / History & Criticism. Export Citation.
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Her research interests focus on culture and politics in totalitarian and post-totalitarian societies filmskj the world. She also holds an M. Former editor for film, theater, and literature of the Third Program cultural program of Radio Zagreb, from — l assistant professor of literary history at the Department of Comparative Literature of the School for Humanities and Social Sciences in Zagreb, and from — principal editor of the Film Programming Division for Croatian Radiotelevision.
Her areas of interest include written and oral traditional literature from the South Slavic region, methodologies of teaching South Slavic languages, and film. His special interests include media representations of gender and sexuality in Soviet and East European history.
He also edits Ubiq, a literary journal for science fiction, and has co-edited a critical anthology of Croatian lwksikon fiction stories. Her short stories have been included in numerous Croatian and international anthologies.
Since he has been a selector for the international film festival in Motovun and has served on several film juries, including the Berlin film festival in Self-Reflections on Serbian Cinema Contributors’ Lekskkon Aida Vidan editor: She is author of Terror and Joy: He is a regular contributor to Croatian radio and television, and has been publishing reviews, essays and other film-related texts on several Internet sites as well as in the Croatian Film Chronicle Hrvatski filmski ljetopis.
She is currently writing a book on the impact of the Balkans wars of the s on literary and cinematic developments in the region.
Filmski leksikon – Bojan Kavčič – Google Books
She wrote Imagined Dialogues: He teaches the history of cinema and the history of Croatian cinema at the University of Split. He published also godina filma u HrvatskojDvanaest filmskih portreta and Hrvatska filmska povijest ukratko American Influence on European Popular Culture, to Present Rowman and Littlefield,and is author of lekskkon thirty book chapters and articles.
Ramet she co-edited Kazaaam! Before retirement he was a member of the Croatian Parliament.
Some of her other projects concern Croatian Renaissance drama and the application of databases in researching oral poetry. Writer and director based in Brooklyn, NY. Film critic and publicist whose numerous articles and essays have appeared in newspapers, specialized arts and culture magazines, radio and TV programs, film publications, and lexicons.
With her husband, James, she founded an annual international seminar on the themes of war and peace in literature and philosophy that takes place in Croatia and Bosnia and Herzegovina. He is the screenwriter for the youth program, Kokiceat Croatian Radiotelevision where he also works as a film critic for the program Dobro jutro, Hrvatska as well as on the program Licem filmskii lice for Croatian Radio.
Gender, media and film theorist. Managing editor of the film quarterly Croatian Film Chronicle Hrvatski filmski ljetopis and a board member of the Croatian Association of Film Critics.
He is a member of flmski committees and film juries for various Croatian film festivals. She is currently also working as a junior researcher on the Croatian Glossary of Film Terms. She is interested in multilingual writers and works on the 20th century American and Russian literatures, and South Slavic Oral Traditions. Holds degrees in comparative literature and English language and literature from the University of Zagreb and an M.
Graduate of School of Political Sciences in Zagreb where he studied political science and journalism and is currently writing his Ph. He is currently writing a monograph examining the changing portrayals of masculinity in Soviet film during the Khrushchev era and an essay on the cinematic representations of queer characters in post-Yugoslav film. He is a regular film critic and contributor to several Croatian daily newspapers.
Film critic, screenwriter, and film scholar, who has published over journalist pieces on topics ranging from film, literature, language, to politics, and about twenty scholarly articles on Croatian film.
Professor of Russian language, literature, and culture at Tufts University Boston and specialist in Soviet and post-Soviet, especially Russian and Central Asian, cinema.