Sofia Gubaidulina. Chaconne for piano. Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook · twitter · tumblr. Sofia Gubaidulina. Publisher: G. Schirmer. Chaconne (). Work Notes. available in the USA, Canada and Mexico only. Publisher. Hans Sikorski/VAAP. Sofia Gubaidulina (b. ) Chaconne (). Gubaidulina composed this piece, one of the earliest in her catalogue, in , when she was.

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The key is C major, but the music is soon moving away from this easeful tonality, and that process continues through the continuation, in which the material is developed — first, as before, with flute and keyboard to the fore, then violin and keyboard. AllMusic Featured Composition Noteworthy.

The Piano Sonata is dedicated to Henrietta Mirvisa pianist greatly admired by the composer. Gubaidulina composed this piece, one of the earliest in her catalogue, inwhen she was still a postgraduate student at the Moscow Conservatory.

Chaconne for piano

Romantic Evening Sex All Themes. Later, the double cjaconne has another solo, tremolando and with sliding bow, from which it moves toward an implacable ostinato drawn from the chorale. At first, the Ciacona seems to be a perfectly typical modern example of the old Baroque form. After discovering music at the age of 5, Gubaidulina immersed herself in ideas of composition.


Complete Works for Solo Piano. Rachmaninov, Gubaidulina, Tchaikovsky, Scriabin. Laureates of the Polar Music Prize. And that is joy. Lars Ulrik Mortensen b. This page was last edited on 9 Decemberat Jazz Latin New Age.

Sofia Gubaidulina – Chaconne

Gubaidulkna enable JavaScript in your browser to use the site fully. The piece plays for twelve minutes or so. Contentious material about living persons that is unsourced or poorly sourced must be removed immediatelyespecially if potentially libelous or harmful. She achieves this through the use of micro-chromaticism i.

It begins with a properly sonorous, arresting eight-bar idea, potent with harmonic possibility, and the initial moves Gubaydulina makes with it — quickening the tempo of the accompaniment, moving the idea from top to bottom to middle, overlaying a melody in another rhythm — would have been familiar to Bacheven if the quite modern harmonies would not have been.

She was also preoccupied dhaconne experimentation with non-traditional methods of sound production, and as already mentioned, with unusual combinations of instruments, e. Finally a fugato, nervous and thrilling, takes off from the wreckage of one particularly emphatic series of chords, signaling Gubaydulina ‘s complete abandonment of the eight-bar form.

Sofia Gubaidulina

The third movement is constructed of 7 episodes, in which there is a continuous liberation of energy accumulated during the previous movement. In the development section, these sets are explored melodically, while the dotted rhythm figure gains even more importance. Eliotusing the text from the poet’s Four Quartets.

For Gubaidulina, music was an escape from the socio-political atmosphere of Soviet Russia. Share on facebook twitter tumblr. Aspects of the first two movements are expressed differently in the finale: When the bass theme returns it is at first disguised by the right hand, which heads into more obsession with F sharp, now skipping up and down in octaves.


See also Hakobian, A simple ternary form with a cadenza—AB cadenza A, the B section represents an acoustic departure as the chromatic figurations in the left hand, originating in section A, are muted.

Sofia Gubaidulina – Chaconne () – Music Sales Classical

If the A minor concerto indeed dates from around a decade later, one might imagine the composer playing it with his two eldest sons, Wilhelm Friedemann and Carl Philipp Emanuel. SinceGubaidulina has lived in HamburgGermany.

The Republic of Tatarstan Academy of Sciences. This collection he published as Das musikalische Opfer The Musical Offeringchacpnne a dedication gubaidulna the man who had prompted it.

The sequence was especially appealing because it provides a basis for composition while still allowing the form to “breathe”.

This evening we hear an arrangement for strings by Torsten Johann, kindly made available by the Freiburg Baroque Orchestra. Johann Sebastian Bach arr. Retrieved from ” https: